Speechless. Michael Haneke’s new, Palme d’Or winning Amour is meticulously crafted to leave its audiences speechless. Haneke’s films have always been alienating, challenging and revolutionary in terms of cinema. The characters of Funny Games (1997) broke the fourth wall to teach its audience a brutal lesson about voyeurism and on-screen violence. In Hidden (2005), Haneke returned the favour by […]